Photo realistic reproduction exercise
This painting is a reproduction exercise of a still life photography : a mushroom. Here are the different steps that I followed by detailing little by little each part of the image :
Illustration of the plant world (flowers, trees and others).
This painting is a reproduction exercise of a still life photography : a mushroom. Here are the different steps that I followed by detailing little by little each part of the image :
This digital painting is a study of photography, as part of a series of exercises on composition.
These illustrations were made to train my skills in digital painting composition.
This illustration is a study of a masterpiece, here “Reclining odalisque” by Ferdinand Max Bredt. Here is my first painting step for this study : Then I immediately went to the details of the face and tissues :
These illustrations were made for a weekly exercise about the composition of a picture. The rule was to make the composition in gray values using few values. The first composition, which consists of many values: Composition en valeurs de gris… Read More »Compositions in gray values
I made this illustration from a sketch. I wanted to colorize the character and highlight the perspective of the pose of the character through the colors. Scanned sketch from a notebook : Clean up of the character line : Colorization… Read More »Warrior in action
This illustration includes a small series of exercises on colors. The milestones were the colors of shadows and lights.
This digital painting is an original illustration that I made as part of my exercises on the light. I started this painting in December and I finished it mid-January, this illustration took a lot of time and I think that… Read More »Little frog on a plant
This illustration was made for an exercise on the work of lights, especially reflected lights. Here is the first step of the bird : And after adding the details :
Ce croquis a été réalisé dans le cadre d’un exercice, avec choix de sujet libre, à partir d’une photographie.